The cathedral - Santiago de Compostela
Partita has become something of a Buxton Fringe institution - having been a part of more than 20 consecutive festivals. Every year the ensemble brings something fresh and intriguing and 2017 will be no exception. Read on for full details of the two concerts planned.
"Early
music ensemble Partita – twice recipients of the Fringe ‘small
classical ensemble’ award – will be presenting two concerts in
the 2017 Fringe: Wednesday 12th July, 1pm and Thursday 20th July, 1pm (both in Buxton
Methodist Church).
The
first concert (12 July) has medieval music by two English kings –
Canute and Richard the Lionheart - and music on the theme of
pilgrimage (to Santiago de Compostela) collected by the 13th century
Spanish king Alfonso the Wise. Music by John Dowland will include a
preview glimpse of a work that can be heard fully, in its original
format for five viols and lute, in Partita’s second concert on 20
July [more details below]. The first concert also features Spanish
renaissance and baroque music including songs on the themes of: a
pilgrim who lapses from his high ideals when, while resting under an
oak tree, he has a tempting encounter; a disappointed lover (waiting
under another tree!) who waits in vain for her lover to arrive; and a
robust expression of indignant pique from a gentleman who is just not
getting what he would like! And – from France: Petit Jacquet
happens to see something he shouldn’t and is told in no uncertain
terms to clear off; a lively shepherd is also told to clear off; a
lady with a toothache is offered an unconventional cure; and we hear
from an a exceptional couple who are actually happy with each other
and suffer only “an excess of pleasure”. To round off this first
concert, we have music by Vivaldi and Bach.
Partita’s
second Fringe concert (20 July) is a rather special event for us (and
we hope of course, for our audience!) In addition to Partita’s
regular line-up we have invited members of Chester Viol Academy to
join us for a special recreation of a landmark Jacobean composition
published by John Dowland in 1605 and written for the unusual
combination of five viols and lute: ‘Lachrimae, or Seven Teares
figured in Seven Passionate Pavans’. The seven pavans have latin
titles which denote different forms of tears: ancient tears, new
ancient tears, groaning tears, sad tears, forced tears, lovers’
tears, and true tears. The form of the pavan has a particular musical
architecture of three repeated sections. Sometimes Elizabethan and
Jacobean composers wrote elaborate variations or ‘divisions’ for
the repetition of each section. When composed divisions did not
appear in the printed music (as was the case in Dowland’s Lachrimae
Pavans) there was a vigorous tradition of performers, especially
lutenists, ‘making their own divisions’. For Partita’s version,
lutenist Roger Child has taken up the challenge to recreate this
practice so the performance will incorporate this new and unique
addition to the original score.
Partita
will also be taking up the opportunity presented by having five guest
viol players (one of whom is also a distinguished lutenist and
theorbo player) to include music for voice and viols, lute and
theorbo duets and, as ever, music with our indispensable harp and
harpsichord players.
In
addition to the Dowland Pavans the concert will include music by
Orlando Gibbons, John Wilbye, Martin Peerson, Athanasius Kircher, and
Antonio Vivaldi.
Over
the two concerts we will have an array of medieval, renaissance and
baroque instruments including lutes, theorbo, vihuela, renaissance
and baroque guitars, harp, harpsichord, viols, gemshorn, recorder,
and sinfonye.
Please
join us if you can for one or both of our Fringe concerts."
Buxton Fringe
Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
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