Some stand out examples include Freerange
Theatre, which last year gained two Fringe Award nominations and a Manchester
Theatre Award nomination for Spoonface Steinberg starring Rebecca Fenwick, and
is reviving the production as part of its Unmissable Monologues season, and
Olivier Award-nominated actor Gerard Logan who plays Oscar Wilde languishing in
his prison cell in Wilde Without The Boy, a Fringe production that is also part
of Buxton Festival.
Fringe Award winner Patricia Hartshorne
combines horror and humour in her First World War production When The Band
Begins to Play (albeit accompanied on piano by Peter Dobson) and Uproot Theatre
Company, responsible for last year’s popular show Around the World in 80 Days,
is back with a one-man version of Treasure Island. Meanwhile over at new venue
The Market Place Sian Dudley takes that spirit of adventure online with WOW, a
show exploring the idea of a virtual reality in which heroic fantasies are
limitless. Chris Neville-Smith has something to say about the whole notion of hero-worship
in his one-man show Waiting for Gandalf.
It’s hard to beat the intensity of
one-person shows – Cameryn Moore has already won acclaim for her taboo-busting
performance in Phone Whore as has Doug Devaney for his tragic-comic play The
Angina Monologue. Stand by for a glimpse into a woman’s soul in Shrew, new
writing by Ami Jones, and in Alan Bennett’s Talking Head, Soldiering On,
revived by library theatre touring company.
Ginny Davis decides to "plus one" in Fashionably Late |
Whether boasting one,
two, three or more performers, Fringe shows, often in tiny venues, have a way
of promising a special intimacy in any case. We’d be interested to hear from
performers about why they do or don’t go solo and from audiences about which
they prefer – let us know…
Buxton Fringe
Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe