Friday, 1 December 2017

We have a winner!

Joanna Allen and the artwork that will feature on Fringe publicity in 2018

Buxton Festival Fringe has announced the winner of its recent competition to design the cover of next year’s printed Fringe programme.

Joanna Allen, an artist and printmaker from New Mills with a textiles background, came up with the winning artwork, a vibrant collagraph print entitled Orange Festival Folk and incorporating features of Buxton’s architecture. She wins £100 in prize money and some 20,000 programmes featuring her artwork will be printed next summer.

Joint runners up were Amy Whelan with Festival Fun and Pam Smart with Buxton Circular. A selection of competition entries can be seen on the Fringe website

A Fringe enthusiast, Joanna says: “There is something for absolutely everyone at Buxton Fringe: music, drama, comedy, film… even life drawing! I have enjoyed all manner of Buxton Fringe events numerous times in the past. My musician brother Will Hawthorne and my sister Susie Hawthorne and brother-in-law George Telfer (both actors) have been involved in Fringe events over the years, so I am very excited to be able to contribute something myself at last!”

She adds: “My collagraph print Festival Folk celebrates the diversity of people of all types and ages who take part in the Fringe and make it so special. I tried to combine all the elements that make Buxton such a unique town: the historical importance of the natural mineral water, the spectacular architecture and the people. Each festival person has a ‘hat’ which references one of Buxton’s significant architectural features, mostly the town’s numerous domes, both big and small. And of course I had to include an image of spring water flowing from the lion’s mouth at St Ann’s Well!”

Joanna’s winning design will also feature on the Fringe’s flyer to be distributed early next year while more of her work and details of her workshops can be found on her website A recent member of Peak District Artisans, she will be exhibiting at The Dome in Buxton as part of Fringe 2018.

Keith Savage, Chair of the Buxton Festival Fringe states: “We love Joanna's design - it is imaginative, bold and burns with excitement. It shouts out 'Buxton' but is very different to our recent artwork. Everything we want Buxton during the Festival Fringe to be. We had no idea about the family connections - but are happy that the link is there!"

Buxton Fringe

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Wednesday, 29 November 2017

Buxton Fringe 2018 - call for entries

In what has become an annual event, Buxton Fringe is inviting everyone to celebrate the opening of entries to the 2018 Fringe with a festive village carols sing-along. 

The exciting Christmas Party, hosted by Buxton’s Green Man Gallery, will take place on Saturday December 9 from 7 to 9.30pm with Derbyshire Village Carols from 7.30-9pm. Wine and light refreshments will be provided with all donations going to the Fringe. 

On the same day, there will also be a free Derbyshire Village Carols Workshop from 2.30-4.30pm at The Green Man led by Kaleidoscope Choir's Carol Bowns for anyone who would like to practise the carols beforehand. 

Both events are free and everyone is welcome. Those unable to attend the afternoon session can still join the party and singing is optional! 

The party marks the December 1 opening of entries for next summer’s eagerly anticipated Fringe festival and party-goers will have a chance to meet members of the Fringe team and learn how to get involved or become a Fringe Friend. Following suggestions from last year’s performers, the Take Part information on the Fringe website has been comprehensively updated to be even easier to understand whilst the widely-praised online process is as simple as ever. The attractively low entry fees remain the same as last year’s. 

As ever the Fringe, praised by one entrant as “the friendliest fringe in the fringiverse”, is always on hand to answer any queries on venues, technical matters or other issues. 

Keith Savage, Chair of the Buxton Festival Fringe states: “We all of us have Dr Ian Russell and others to thank for collecting and sharing the dozens of carols sung in many Derbyshire villages. We are pleased that Buxton, the Green Man Gallery and the Fringe are becoming part of the tradition that ensures that these carols are learned and heard." 

Buxton Fringe

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Monday, 16 October 2017

Orange sky heralds return of Buxton Fringe

The morning skies over much of Britain today had an eerie orange tint about them. Social media sites carried all sorts of worried messages about the 'end of the world' and 'post-apocalyptic nightmares'. We are happy to report that it was a simple reminder to those of us responsible for these things to bring you up to date with news of your favourite orange tinted festival. And we have quite a lot of news.
1) Buxton Festival Fringe 2018 will run from Wednesday 4th through to Sunday 22nd July. For those of you that need to take account of the town Carnival and fair then please note that Carnival day is Saturday 14th. If nothing else this may mean that St John's Church will not be available for the first week of the Fringe while the wells dressing petalling takes place.
2) Your geodesic Dome Fringe venue of choice - The Rotunda - is already accepting bookings for shows next July and it will fill up quickly. If you have an interest in putting on a Fringe event at the Rotunda you are urged to contact them soon. (We will be open for entries for next year's Fringe on 1st  December - see point 5 below - but there is nothing to stop you sorting out dates and venues for your shows now).
3) We have an open competition for artwork for next year's programme cover. The closing date for entries is November 1st. We look forward to receiving your work. The Fringe programme at flyer gets seen by 30,000 people across the region and beyond and so it is a good opportunity for artists to get exposure - and a modest cash prize of £100.
4) Our AGM takes place on Wednesday 8th November at The Green Man Gallery starting at 7pm. There will be some informal time - for a drink and some nibbles and a chance to chat with friends and let the trustees and committee know your thoughts about how the Fringe might develop. If you want to become more closely involved in our work we always welcome new ideas and extra energy.
5) Also at The Green Man - on Saturday 9th December - we have a bit of a party in recognition of the fact that Fringe 2018 is open for entries - indeed by then the first batch may well be on our website. For the third year we will be joining local singers for some Derbyshire village carols. Food and drinks will be available from 7pm and we will be giving it our vocal all from 7.30-9.00 led by Carol Bowns. Food and drinks will continue until 9.30 - unless we run out earlier! Carol will also be running a workshop from 2.30-4.30pm for those that want to practice a bit in advance - but you don't have to do the workshop to join the party. Everyone is welcome for the evening -whether to sing, listen or meet up.

Buxton Fringe

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Tuesday, 18 July 2017

Getting away from the telly

Super Hamlet 64

With the Fringe still in full swing, it is strange the thoughts that come to you. “This is just like Lost”, I mused while enjoying the REC Youth Theatre’s Lord of the Flies. Clearly the hit TV series was influenced by William Golding’s novel rather than the other way round but it was only when watching a modern stage adaptation that I made the connection.

Then later in the day, Edward Day’s zany videogame/Shakespeare mash up Super Hamlet 64: Parody DLC made me wonder whether the American TV thriller Mr. Robot, about a computer hacker haunted by the ghost of his father, was in fact a warped version of Hamlet - something that had never occurred to me before.

I reckon all sorts of strange synapses are firing in my brain right now thanks to the Fringe - I still haven’t got over sitting in the Rotunda at The Unknown Soldier and thinking: “This is like that Siegfried Sassoon poem”, five seconds before that very poem was recited on stage.

All these connections between different artistic mediums - plays, poetry, films, computer games, telly - make for a richer experience of each in my view.

What’s been going through your mind during the Fringe and which shows have really stimulated you? You can communicate with us via social media or by making comments on individual shows on

We’d also love it if you could find time to fill in our short audience survey form

Buxton Fringe

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On Behalf of the People - 19th July

We had some late entries for Buxton Festival Fringe 2017 - and they are not in  the printed programme. Tomorrow night (Wednesday) at the United Reformed Church you can see a touring production that has been impressing plenty of people already. On Behalf of the People starts at 7.30pm and tickets are just £8, available from the Opera House. Here is a review:

On Behalf of the People was commissioned from The Melting Shop by the National Coal Mining Museum as part of its commemoration of the 70th anniversary of the nationalisation of the mining industry. Ray Castleton claims that it’s about the people, not the politics, but in fact, it’s about the politics as well, though the agit-prop element is tempered by measuring every political development against its human effect.
The play covers the years 1945 to 1953, but most intensely the first two of these years. Castleton has deliberately gone for recognisable types that have a strong emotional resonance with many of the older audience members.
George Mason is a miner who survived the First World War to find the land fit for heroes was a deception. A dedicated union man, he is also committed to campaigning for the Labour Party in the 1945 election, despite the onset of emphysema which two years later will take him from his job at the coal face. Connie, his wife, is inclined to accept things as “just George’s way”, but has the strength of character to bring him into line when his single-minded obstinacy gets too much. Tom, their son, returning from the Second World War, and his girlfriend, Liz, are less set in the old ways, ready to consider alternative careers, modestly aspirational. 
So far, so predictable, but Castleton finds subtle variants without losing the sense of dropping in on a mining Everyman circa 1947. The relationship between father and son, almost destroyed by George blaming Tom for the elder, much-favoured son joining up and being killed, is convincingly handled. So is the role of women. Liz has to remind Tom, thinking of signing on as a regular, that the world has changed: she is a bread-winner. The play is not a simple paean to union power: Connie is shocked that George sees the loss of Jud even more as the loss of a good union man than as the loss of a much-loved son and an argument between George and Liz about the treatment of strike-breakers is remarkably even-handed.
For all that Castleton and Melting Shop’s political stance is clear enough and the audience at the Mining Museum empathised with it whole-heartedly. Charlie Kenber’s unobtrusively shrewd direction capitalises on this. The distinction between cast and audience is blurred, not by audience participation, but much more naturally. The acting area is a simple square, before the start the actors set out furniture and props, adjust the lights and chat a bit, items of clothing or props are left under audience seats for the cast to collect later.
Ray Ashcroft is outstanding as George, the authentic voice of four generations of miners, stubbornly uncompromising in good cause or bad, totally convincing in all he does, even to the manipulation of his spectacles. Kate Wood (Connie) bustles around like a less eccentric Hilda Ogden, Adam Horvath (Tom) and Lizzie Frain (Liz) both let us see their characters develop through the play. All four form a powerful ensemble, not least in the “This is my town” recital, an echo of the opening, that provides a moving finale.

Hear what other audiences said here

Buxton Fringe

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Thursday, 13 July 2017

Youth Company Opera to premiere in Buxton on Sunday

There’s a chance for all the family to experience the thrill of the opera at this year’s Buxton Fringe as Opera North Youth Company head to Derbyshire to perform Dr Ferret’s Bad Medicine Roadshow, a musical version of Hilaire Belloc’s classic Cautionary Tales.  

The Opera North Youth Company comprises young singers and aspiring orchestral players from in and around Leeds. It grew out of the Opera North Youth Chorus, a group of 14 to 19-year-olds who meet weekly at Opera North, one of Europe’s leading arts organisations, to explore their creativity and gain practical experience in music, singing, drama, composition and direction under the guidance of professional artists. For this occasion, they have been joined by a more recently formed ensemble of young musicians who have been honing their skills on their chosen instruments under the guidance of highly experienced tutors and members of the Orchestra of Opera North.

The Youth Company will perform Dr Ferret’s Bad Medicine Roadshow at 5pm in The Pavilion Theatre on Sunday 16 July. Written by composer Stephen Deazley, the one act opera follows Dr Ferret and his Sweetheart as they set out to discover just how mischievous today’s children really are. As the couple’s adventure unfolds, the doctor tells the curious story of Matilda whose compulsive lies led to a terrible fire, Henry King who ate too much string, Jim who had a rather unfortunate encounter with a lion, and George, a small boy who manages to create a large amount of trouble.

Jacqui Cameron, Opera North Education Director, said:

“We’re delighted to be performing at such a highly-regarded festival as the Buxton Fringe. At Opera North, we aim to give young people as many opportunities as possible to become involved with music whether they prefer singing or playing an instrument - and to broaden their musical horizons by arranging performances not only in their home city but throughout the UK and overseas.

“By doing so, we hope to create lifelong memories and to inspire a lasting love of music among all the young people who take part.”

Tickets for the Dr Ferret’s Bad Medicine Roadshow performance in the Pavilion Theatre are available for £8 per person at The performance is suitable for ages 8+ and lasts around an hour.

After its premiere at Buxton Fringe, Dr Ferret’s Bad Medicine Roadshow will tour to Middleton Hall as part of Hull 2017 UK City of Culture, and to the Tête à Tête Festival at The Place in London. Later in the year, the young people are travelling to Denmark to join Den Jyske Opera Education for three performances in Aarhus, 2017 European Capital of Culture, as part of the 2017 GrowOp! Festival.

Opera North’s education programme is generously funded by Opera North Future Fund and The Whitaker Charitable Trust. Opera North Youth Chorus is supported by The Liz and Terry Bramall Foundation and the Backstage Trust.
Buxton Fringe

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Wednesday, 12 July 2017

If you go down to the park...

Pride picnic cake from Little Chekky Cakes

Stone and Water’s Gordon MacLellan recently spoke to The Buxton Advertiser about the group’s Fringe events including a Pride picnic and a children’s workshop. This is the full transcript of the interview, which was edited down for the paper's Festival and Fringe supplement. 

What is your role in Stone and Water and can you tell me more about what it does and the philosophy behind it? 

Stone and Water sets out to find ways of “celebrating the people, landscape and creativity of the Peaks”. Over the last 12 years we’ve led all sorts of projects from exploring the ancient worlds that gave us the Peak District limestone to having a whole series of picnics revolving around helping people get to know our local wild flowers, trees and insects. I am one of the founder-members of the group and do most of the fund-raising and project management

2. Tell me more about Tiny! and the thinking behind that. What's in store for families at the Fringe this year with Beasts, Birds and Butterflies? 

We’ve been doing “Tiny!” days as Stone and Water events for 6 or 7 years now. The idea behind it is that you make nothing larger than your hand and every year we have a different theme. There was a Tiny! Lantern Parade, Tiny! Pirates, Tiny! Dragons, Tiny! Princesses, dragons and monsters, more Tiny! Pirates. These sessions are free and open to anyone who wants to drop-by and join in. We set up on the grass near the children’s playground and usually are visited by 70 or 80 people during a day, mostly families. This year we’ll be making lots of little animals as finger puppets. We’re sort of planning garden wildlife: bumblebees, butterflies, ladybirds, mice and so on but we’ll help people in whatever direction they want to go so I am rather expecting there will be some Tiny! lions, wolves and dolphins, too!

3. Tell me more about the Pride Picnic and what people should expect? Can anyone come regardless of gender/sexual orientation? 

The Pride Picnic is part of our “celebrating people and creativity” theme. We would like to offer a picnic blanket where people can be themselves and where the diversity and richness of our High Peak people can be celebrated. The core of volunteers involved are of various genders and orientations and we’ll offer some queer poetry during the picnic and maybe some “instant slap” dramatic makeup. We are hoping for rainbow cakes as well and possibly rainbow sandwiches. The heart of this is a safe but public place and we will welcome anyone who comes with a warm heart and a cheerful smile, regardless of gender, age or sexual orientation - and who leaves sexism, hetero-sexism, racism and other unpleasantnesses behind!

4. Do you see it as a political gesture or just a bit of fun or both? 

The Pride Picnic is a bit of fun but it is also a political statement that says “we are all part of the people of the Peaks” and this is a small gesture on our part towards recognising some of that diversity and the creative richness it brings to the Peak.

5. Do you think these are good times for LGBT+ community or the opposite? 

Speaking personally (not as a S&W rep), I feel that in some ways these are good times for LGBT+ people: we are more public and more recognised and accepted than (perhaps) ever before. But almost because of that apparent acceptance, the wider public are less aware of the prejudice that LGBT+ people still experience. People are still thrown out of their homes, or “queer-bashed”, or heckled and harassed in the street.

6. Could you give me a potted biography of yourself - how did you become a storyteller and is that how you would define yourself? How long have you lived in Buxton and where are you from originally? 

I’ve been working as a full-time self-employed artist and storyteller since 1995. As “Creeping Toad” (my freelance identity), most of my work revolves around environmental themes and my work finds ways of celebrating the relationships between people, places and wildlife. I trained as a zoologist and a teacher and worked in environmental and formal (secondary) education for about 8 years before going freelance. I grew up in Cumbernauld, one of the Scottish new towns just outside Glasgow. Before arriving in Buxton, I also lived in Durham, Manchester and spent my first 3 years of teaching in Malawi in Africa. I’ve lived in Buxton for 16 years now and love this meeting place of a town: a crossroads where the wildness of the hills and dales intersects with the easy access to Manchester and a wider urban world.

7. What are you up to right now?  

Just now? I am up in the north of Scotland on a Creeping Toad projects: I have 4 weeks of storytelling in schools around the Highland Region and then a week on Orkney. Stone and Water is just a small part of my work and our projects are focussed on the Peaks.

8. How long have you been performing at the Fringe and what does the Fringe mean to you? 

I have been doing various things in the Fringe for maybe 14 years. There are the Tiny! sessions, and there have been storytelling for High Peak Community Arts and on the Grinlow Art and Storytelling Trail. I also coordinated the Grinlow Poetry Trail a couple of years ago. I like the Fringe: I like the sense of creativity that fills the town and the audiences that will come and cheerfully watch, join in or simply laugh. Events like the Trails have been great opportunities for local artists to collaborate, making new connections and friendships beyond the moment of our event.

9. How did you get to be called Toad?

I have been a Toad person since I could walk. Toads are my totem animals. The patient watchful consideration of a toad is a great skill to cultivate. And I just like them and have been called Toad for years. When i first set up my self-employed business 30 years ago “toad” had to be in the title and “Creeping Toad” just seemed to work. Now, I am even a Trustee for the delightful charity Froglife who are dedicated to the conservation of British reptiles and amphibians and research into their lives and education about how wonderful they are! At home, my house tends to become a refuge for exotic amphibians with nowhere else to go: fire-bellied toads, dwarf African frogs and axolotls at the moment!

Buxton Fringe

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