Showing posts with label Buxton Fringe. Show all posts
Showing posts with label Buxton Fringe. Show all posts

Tuesday, 18 January 2022

Volunteering is rewarding with the Fringe


The beginning of a new year is a great time to take on new challenges and reflect on the last 12 months.

Back in April 2020 I wrote about joining the Fringe committee and, whilst enjoying the experience, not being sure about what role I could play to help support the team. Since then I've been involved in lots of things from delivering leaflets to ringing care homes, planting orange flowers, helping on the desk, writing blogs and reviewing performances.

But it was in November 2021 that things really changed for me.  November's Fringe AGM coincided with my 2-year anniversary of volunteering with the committee.

Best of all after 18 months of Zoom, the meeting was held in person at the Green Man Gallery. It was so exciting to meet performers, supporters, Fringe Friends and other committee members face to face and just to be able to chat.  In fact everyone was having such a good time that Chair Stephen had to call us to order more than once.

Then the serious business got going.  Stephen thanked all the performers who despite the lack of opportunities to rehearse brought such great acts to the Fringe this year. He thanked the Friends for their ongoing support and venues for keeping audiences and performers safe.

Then it was time to elect officers of the Fringe.  Stephen seemed slightly surprised that no one wanted to stand against him as Chair (no fear, we've all seen how much work it is). 

Somewhat to my surprise I found myself nominated as Secretary, taking over from the lovely Gaye. Thankfully Gaye is still going to run the Fringe Desk so I just have to take the notes at meetings, which sounds easy doesn't it? But then I found myself getting caught up in the discussions as I usually do and only remembering just in time to write down decisions and actions!

There's such a range of activities that you can get involved in and the committee are all so welcoming, I've been able to use my existing skills and more excitingly, developed new ones.

So I really didn't need to have worried about finding my niche and for the next 12 months at least that's going to be as Fringe Secretary.

If you're looking for a volunteering opportunity then don't hesitate get in touch; we'd love to meet you!

If you would like to find out more about getting involved with the Fringe or becoming a Friend click here  https://buxtonfringe.org.uk/volunteer.html 





Carole Garner

Tuesday, 30 November 2021

Artists! The Fringe needs you!



I used to love art at school and I am amazed and impressed how some people have the skill to capture a scene or a mood with just a few strokes of a pencil or make a sculpture out of a piece of wood or transform a hank of felt into something beautiful.

My childhood enjoyment of painting has developed into a love of visiting galleries, exhibitions, art fairs and even art shops where I love reading the names of the colours and holding the pencils. Whenever we go on holiday a visit to a local gallery or studio is always top of our list.  We love finding unique pieces that remind us of our trips, even if it is just a postcard. Mind you we don't always agree and some heated debates have taken place!

So I'm very excited that the Fringe has launched a competition to design the programme cover for the 2022 festival. Local artists and enthusiasts (professional and amateur)  are being asked to come up with designs that portray the spirit of the Fringe in their own personal style.

There are just a few rules and some hints on what the committee would like to see but mostly its up to the artist.  "We don't want to stifle creativity; we are really keen to see what ideas people will come up with", Steph Billen Fringe Marketing Officer told me. "We are lucky to have lots of artists and art groups locally so we are hoping for a good response" she added.

I can't wait to see the entries; how do artists perceive the Fringe and how will they convey that?  What medium will they choose? Will their work be abstract or traditional? 

The closing date is 10th January 2022, and as well as seeing their design in print the lucky winner will receive £100 prize! 

Now where did I put my tin of Smartie Orange paint?

For full details on how to enter see https://www.buxtonfringe.org.uk/artcompetition2022.html


Carole Garner
Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe

Wednesday, 21 July 2021

Madam Renards presents Battle Cry by Matt Fox

Steve Cowley in Battle Cry

“For those who’ve witnessed the worst things imaginable, the world can never be the same again; and for those that haven’t the least we can do is listen”

High Peak Bookstore, July 23rd & 24th as part of the Buxton Fringe Festival, 7pm doors, 8pm performance

This is the story of Adam, a British soldier who after 25 years of service now suffers with PTSD. Finally, he has agreed to attend a support session…but why doesn’t he want to talk about it? Maybe discussing the details hasn’t helped in the past? Maybe he feels misunderstood? Maybe he’s just not a guy who talks about his feelings? Or…maybe talking and reliving it is part of the problem? Adam feels alone and alienated; he believes that no one can possibly understand the problem as they weren’t there. They didn’t see the things he saw…it doesn’t come flooding back to them every time they close their eyes…

Some wounds are invisible. Adam’s certainly are. But is this a story where all hope is lost. Or could there be a future for Adam?? Maybe being heard is the first step?

Battle Cry is a play which gives a chance for such voices to be heard. Adam tells a story that will strike a chord with every military sufferer of PTSD, based on the true story of real-life people whose lives have been torn apart by the condition. The play is stark, uncompromising and most importantly genuine…as only true authenticity is appropriate for such subject matter.

Through diligent research with PTSD sufferers, Matt Fox & Steve Cowley have distilled the poignant, universal truth from the voices of many who have and do suffer every day from the effects of this condition. Battle Cry creates an authentic fiction from fact that will speak to every PTSD sufferer. This play is desperately needed as even now, these sufferer’s voices are not being heard. Why? Is it part of the training? Is it culture? Or are military personnel just expected to keep this quiet? Maybe the world believes they wouldn’t make good soldiers if they dealt with the emotional ramifications of their day job? Battle Cry is not a political piece of work; we make no comment on why these people have had to do the job they do. Rather we look at the results of these decisions, to speak to a wide audience and bring about awareness of this most pressing of issues through storytelling. A true, emotive human story being the most powerful way to get this message out. These soldiers shouldn’t have to explain themselves, but the world needs to hear their story.

We are thrilled to be finally returning to a live theatre tour after an unimaginably difficult period for the industry. We have kept ourselves busy during the lockdown with writing and online performances, but nothing compares to the experience of standing in the same room as your audience and delivering a play.

Battle Cry is an intense, emotive piece that brings the audience right into the mind of a man on the brink. The pandemic has brought mental health to the front of everyone's mind, and we can't think of a better subject to kick off our touring schedule with.

We hope our audience revel in the unique experience of a live performance and remember why theatre matters so much to us all.


Matt Fox - Writer

Matt Fox has written plays, opera’s and musical adaptations, which have been performed in the UK, U.S, Canada, Mexico and Australia. His most recent piece, ‘Fred Ted, Jack & Harold” toured the UK in 2018/19 before transferring to the USA in Autumn 2019. Matt’s work is published by Roister Doister Publishing Ltd and Off the Wall Plays in the UK and JD Drama Publishing in the USA.

Matt started writing for the theatre as a teenager when he joined a writer’s group at Plymouth Theatre Royal. He was the founder of Swindon Fringe Festival, runs the production company Madam Renards Ltd and is trustee for the JTP Trust, a South West music education charity. He regularly lectures on playwriting and theatre production at a number of UK universities.

Matt has written extensively on subjects, which the world really needs to discuss; whether it’s the ever-growing issues of suicide (To Sleep 2013), poverty (Family Play 2015) or the way we deal with death (The Life We Lived 2016), he has always wanted to cast a light on those areas where real stories need to be told. During the writing process the tales told by the soldiers he interviewed struck such a chord with Matt that he became certain this was one of the most important writing projects he had ever undertaken.

Steve Cowley - Actor

Steve Cowley has enjoyed a long and varied career as an actor, director, lecturer, workshop practitioner and writer. His passion, love and belief in the value of theatre and performance remains as strong and firm as ever.

Steve’s theatre credits include; Michael in (Ab)solution, Macbeth in Macbeth, Landlord in Two, Michael in This is Living, John Proctor in The Crucible, John Merrick in The Elephant Man. Steve created the roles of Soldier in Listen and Man in Dummy House, both of which were solo performance plays.

Steve is passionate about supporting new writers and has been fortunate enough to tour the UK and abroad with many new pieces of work including To Sleep, The Life We Lived and Fred Ted Jack & Harold. In addition to this, Steve has also worked on numerous corporate films and events.

Steve is delighted to not only be working with Matt again, but to be given the opportunity and honour to be the voice of so many PTSD sufferers.


Buxton Fringe


Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe


The Bus Stop

The Bus Stop


A one act play written and directed by Margaret Holbrook, The Bus Stop, is coming to Buxton Fringe.

The play focuses on two people whose paths cross at Bolton Interchange. It's Sunday lunchtime. Jacki and Keith strike up a conversation, share secrets and fears, become friends for the time they're at the bus stop. But that's just the beginning . . .

The Bus Stop will be performed twice at St Mary's Church, Dale Road, Buxton SK17 6NL on Thursday 22nd July a matinee at 2.45pm and in the evening at 7.45pm and there will be a short Q&A after the performances.

Tickets £8, £6, concessions, available from Buxton Opera House, telephone 01298 72190 or on the website: www.buxtonoperahouse.org.uk 

Alternatively reserve tickets by calling 07958 079583



Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe

Tuesday, 20 July 2021

Fringe 10 to 5 how's it going?

Darren Poyzer


A couple of weeks ago I wrote about the makeover we were giving Fringe at 5, which has now been transformed into Fringe 10 to 5. 

Luckily our call for performers and local artists has proved popular and visitors to Pavilion Gardens have been saved from my out of tune croaking.

I caught up with a couple of the buskers to find out what they thought of the new format.

Fringe regular Darren Poyzer was quick off the mark to book a slot; he tweeted me within hours of the blog being posted!

Darren explained that owing to Covid he would be performing his show online again this year. He really liked the idea of doing a busking session to promote his show.  Darren set up on a sunny Friday afternoon and was soon surrounded by a (socially distanced) foot-tapping crowd. "Its great to be performing live again"  and "What a wonderful welcome!", Darren told the audience, before thanking them in song for "the gift of their precious time".

In contrast, Nik Lowe stumbled onto the Busking Spot by pure chance.
Nik Lowe


Nik who's Mum was orginally from Buxton was visiting the town with his girlfriend Jo. As an event singer and songwriter, Nik always has his guitar with him. Given the nice weather he though he'd set up in front of the cafe and entertain the customers. He was quickly signed up to the ""official" Busking Spot by Fringe volunteer Sandra.  "I really love Buxton; it's such an attractive town. We used to visit a lot when I was kid", Nik told me. "The crowd are really lovely and the Fringe Festival is a great event".

The Busking Spot is right by the Fringe desk and volunteers have seen artists performing poetry, theatre, magic, classical and popular music.  Tommy Cooper even stopped by one day.  "It's a great way to promote your act and get people's attention", said desk manager Gaye. "And of course the new hours match the opening time of the Cafe and Gin Garden so you can be sure of an audience", she added.

And with another week of the Fringe to go and the sun set to shine, there's still plenty of time to grab a slot and add to the party atmosphere.

To book your slot call into our friendly Fringe desk at the Pavilion Gardens or email fringedesk@buxtonfringe.org.uk

Carole

Buxton Fringe


Tuesday, 6 July 2021

What's making that buzz buzz buzzing noise?


Billy with their friend, the artist Pam Smart


It's the sound of Billie the Bilberry Bumble Bee and his friends! Billie has a bright orange tummy and he lives on the moors high above the town. He and his friends like to visit the town to eat the pollen from flowers in our gardens.

But Billie and his friends need our help. Sadly there aren't enough flowers to feed all the bees. We can help by planting lots more flowers and not cutting the grass too much because the wild flowers in the grass have lots of tasty nectar that the bees love.

In July Billie is visiting Buxton and he is going to be living in Potters department store and he'd love it if all the children came to see him!

What's more, lots of Billie's friends will also be in town; you can follow a trail to find them all.  Pick up a bee safari leaflet from the Pump Room, The Crescent,  if you would like to draw or make your own bee you can copy the photo below of Billie with his best friend artist Pam Smart.

While they are here on holiday, Billie and his friends are going to feast on all the orange flowers that the Buxton Fringe and our friends have been planting around the town. Can you spot any of the orange flowers?

We would love to see your drawings and your photos of bumble bees or orange flowers. Ask Mummy or Daddy to post photos and tag us in at @BuxtonFringe and #FriendsofBuxtonStation.

Carole

Wednesday, 16 June 2021

📣 Shout out for Buskers!

The inimitable Sam Slide (pic credit Ian J Parkes)

Forget Euro 2020 the real countdown to this summer's highlight has just started! Its under four weeks till the Buxton Fringe Festival kicks off.

This year there are a few changes; the Fringe desk is on the move and Fringe@5 has had a make over -  its become Fringe 10 to 5!

This means we will be hosting a busking spot on the promenade in Pavilion Gardens between  (yes you guessed it) 10 to 5. 

At last I have the chance to showcase my talents! My Mum once told me I sing like a frog but who listens to their Mum? 

But what should I do? I'd dance but I have two left feet, timing is not my strong point so telling gags is out, I know music!,  but to be honest I'm tone deaf so playing or singing are also out (maybe Mum had a point after all). 

OK time for a rethink. 

Calling all our performers and local artists, musicians and buskers, we really really need you.

Come and sign up for a slot at the Fringe Information Desk, now in the Pavilion Gardens conservatory just before the restaurant, between 7th and 25th July. Feel free to bring your hat for donations but please leave the heavy duty amplifiers at home.

You'll be helping us celebrate as well as saving local people and visitors from a fate worse than death, yes unfortunately that's me I mean!

Carole Garner

Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe

Monday, 7 June 2021

Buckets


haywire Theatre will bring Adam Barnard’s wonderfully morbid play, Buckets, to this year’s Buxton Fringe Festival, to be performed at the High Peak Bookstore & Cafe on the 9th, 10th, 16th and 17th of July, doors opening at 7:30pm. 


buckets is a story about why you shouldn’t go skydiving with your hamster. It is a story about video games. About how to pull off a successful mugging. About how to tell someone you love them, and how to make sure they say it back. But mostly, buckets is a show about the weight we have on one another's lives, and the world we leave behind once we’re gone.


Making their festival debut with Adam Barnard’s 2015 play, haywire will take audiences on a journey of loss, affection, laughter and absurdity through thirty-three intertwined scenes. Some connected, others stand alone, but all attempt to answer, in their own way, the thoroughly unanswerable question: what do you do with your time if you know your time is running out?


Building on the success of haywire’s digital season, which was described as “Powerful” and “Brilliant”, the amateur production (by arrangement with Nick Hern Books) will be an excitable dance through the highs and lows of everyday life, reminding audiences of the simple joy of connection and the weight we have each other’s lives. 


Director: Liv Clarke

Producer/Designer: Lucy Haslingden 

Cast: Lisa Jayne, Will Griffiths, Lucy Haslingden


All tickets available through the Buxton Opera House (https://buxtonoperahouse.org.uk/event/buckets) , £10 standard, £8 commission, as part of the 2021 Buxton Fringe Festival. For more details visit www.haywiretheatre.co.uk, or head to @haywiretheatre on Facebook, Instagram, and Twitter




Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe

Friday, 28 May 2021

Him Indoors - an absurd Comedy Horror...

Absurd comedy-horror from the mind of comedian Sonja Doubleday


Think The Mighty Boosh meets The Wicker Man, but with a northern woman who looks a bit like the girl from The Exorcist with a better sense of humour. Welcome to Tittitutar Town. An unusually odd place, 2,000 miles up North (somewhere near Manchester) where some of the weirdest characters you’ll ever come across live. Him Indoors (written by award-winning comedian Sonja Doubleday) is a laugh-out-loud, absurd comedy horror show, attracting alt-comedy fans and horror-heads alike.  

In the quaint Northern town of Tittitutar, something’s not quite right, and a very serious journalist is determined to get to the bottom of it. A spooky woman claims she has a small man living inside her. A tiny little man trapped in her belly. Don’t believe it? Come along on the journalist’s journey and find out for yourself…


Him Indoors is performed by comedy powerhouse Sonja Doubleday, along with co-stars Nina Atesh (playing a handful of equally strange Tittitutar inhabitants) and Christian Cascone as the ambitious, cocky, yet slightly exasperated journalist. 




 ‘A woman talks to a two-inch man without any explanation, clouds sing pop songs for no reason, two shop attendants dance to a robot cat because they could; absolutely nothing followed any set of rules that I’m used to and I laughed out loud constantly’ (Sam Esame)


‘I might have proposed marriage as it's such a delight. As it is it's inventive, imaginative, insane and probably many other fantastic words that begin with i, and definitely worth seeking out,a stunning piece of absurdity' Alex Finch (comedy to watch)

After some dates at Brighton Fringe, Him Indoors can be found in Buxton on July 15th, 16th and 17th at Underground Venues at The Old Clubhouse @2:30pm

Find Sonja Doubleday on Twitter and Instagram at @cheekykita1 



Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe

Sunday, 23 May 2021

Q. What's Orange and Green and uses the Bus?




A. Buxton Fringe!

Yes, this year's traditional orange Fringe is going green in a big way!

I don't know about you but I love getting the bus - someone else does the driving, no need to fill up with petrol and best of all no need to worry about parking, and with the beautiful views on routes around Buxton I can sit back and enjoy the ride.

So imagine how excited I was to learn that the Fringe has teamed up with D&G and High Peak buses to promote travelling to the Fringe on public transport. Our lovely Fringe posters are going to be on display on 150 local buses and in bus stations at Derby, Hanley and Macclesfield.  

Keep your eyes peeled for the posters and if you spot one please post a pic and tag us on Instagram, Twitter or Facebook (@BuxtonFringe) using the hashtag #FringeOnTheBus.

What's more we've signed up to the Plastic Free Pledge to help our friends at Transition Buxton reduce single-use plastic.  

And what perfect timing as our Fringe information desk is on the move - all of which has given Gaye, our lovely desk manager, the chance to have a sort out and reduce our single-use plastic.  

I predict it's going to be reusable cups and recycled bunting all the way!

We can't wait to see our live performers and welcome live audiences back so do pop in to say "Hi". 

But before you leave home, help us and the environment by remembering:

Bus pass/fare - Check! 
Reusable cup - Check!
Fringe app on phone - Check!

Let's make this the biggest Green Orange Fringe yet!

If you want to know more about our environmental policy go to https://buxtonfringe.org.uk/environment.html

Carole Garner

Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe

Wednesday, 12 May 2021

Painting the Town Orange

Buxton's floral displays might have more than a hint of Fringe orange this year
(credit: Stephanie Billen)

Yes you read that right; I know it's more traditional to paint a town red but this is Buxton and we like to do things a bit differently here! 

I think everyone would agree that we can all do with a bit of cheering up this year and the Fringe has come up with a simple and fun way to do this - by encouraging shops, businesses, care homes, public spaces and residents to create “Orange Hot Spots” across the town throughout July.

The Fringe has joined forces with a number of local groups to organise displays of orange flowers, orange bunting, flower pot people with orange hair, orange-bottomed Bilberry bumble bees or even just orange Fringe posters. The Bilberry bee is a very special bee. It lives high on the moors surrounding Buxton and it helps to pollinate lots of plants but sadly it is in danger of extinction. So let’s give it a helping hand by planting lots of orange flowers to give it a feed and keep it going. You can also support the Buxton Garden Trail (24-25 July) at the same time by purchasing marigold and fuschia plants from them - contact buxtongardentrail@gmail.com.

Everyone can get involved including the kids. Good and easy orange flowers to grow include Nasturtiums, Marigolds and Calendula but there are lots of others. And what’s more, by planting flowers, even one or two on a small windowsill, we can help encourage butterflies, insects and especially bumble bees. 

Don’t have green fingers or any outside spaces?  Create your own display for your window with tissue paper, coloured pens and paints or Fringe posters, or have a go at drawing the Bilberry bee with its distinctive orange bottom! Contact fobs.buxton@gmail.com if you would like further information on making or displaying the bee!

So what are you waiting for? Grab your paintbrush or gardening gloves, get creative, have some fun and let's turn Buxton Orange!

Carole Garner




Sunday, 4 April 2021

Zi-Zi Taah Taah Taah - Who’s making a noise at this year’s Buxton Fringe?

photo credit: The Wildlife Trust

Calling all wildlife lovers, poets and conservationists. You won't want to miss this!


Live at this year's Fringe, Yorkshire poet, writer and conservationist Steve Ely will be sharing his poems dedicated to two of the UK's fastest declining species, the Willow Tit and the European Eel.


Steve will read from his books Zi-Zi Taah Taah Taah (the words to the willow tit's song for the uninitiated) and The European Eel at the events, which are sponsored by Milners Law, who  have offices in Leeds, Harrogate and Pontefract.


Also a big Ted Hughes fan, proud Yorkshireman Steve will reveal how his home county shaped the work of the former Poet Laureate.


For full details of these events see the full press release below. With entries starting to build up, we hope to bring you the inside stories on a host of other shows in the coming months. In the meantime don't forget to check out the Fringe website.


Carol Garner


Press Release: 

Yorkshire poets and poetry at Buxton Festival  

Poet and writer Steve Ely will be sharing some of his passions with  audiences at this year’s Buxton Festival Fringe. 

The European Eel and the Willow Tit are two of the fastest declining species  in the UK. Their populations have crashed by 95% in 50 years. As it happens  Willow Tits do relatively well on some brownfield, former industrial sites and  Steve Ely lives close to a former coalfield in Yorkshire and is able to monitor  bird numbers locally. 

He published a small volume of poems Zi-Zi Taah Taah Taah: the song of the  Willow Tit three years ago. This year sees publication of his book-length  poem The European Eel. For the Buxton event Steve will read poems from  the books and talk about how autobiography and interests in conservation  and literature came together in their writing. 

Steve’s observations of the natural world sharply inform his writing and this  is evident in a further collection published this year, Lectio Violant - ‘profane  readings’ that were the result of contemplative study of parts of the New  Testament in the King James’ edition. 

Steve also teaches creative writing at University of Huddersfield where he is  Director of the Ted Hughes Network. Hughes - who was poet laureate from  1984 until his death in 1998 - was born in the Calder Valley village of  Mytholmroyd and the moorland landscapes where he was born are often  associated with his writing. Hughes moved to live in the South Yorkshire  industrial town of Mexborough between the ages of 8 and 21. 

Steve Ely published a study of this period of Hughes’ life and the place  where he wrote his first poems. Steve argues that it was Mexborough that  formed Hughes as a poet. It was the place where he encountered the  influences that shaped him as a poet, leaving a lasting impression on his  personality, sensibility and practice. For the Buxton Festival Steve will reveal  this still too little-known story. 

These two Buxton Festival Fringe events are sponsored by Milners Law, who  have offices in Leeds, Harrogate and Pontefract. 

   

Notes for editors

The Buxton Festival Fringe was established in 1980 and takes place every  July. This year’s Festival runs from 7-25 July when hundreds of events  embrace the visual and performing arts. 

Steve Ely will be at the United Reformed Church on Tuesday 13 July. His Eel  and the Willow Tit is from 3-4pm and Made in Mexborough: Ted Hughes’  South Yorkshire from 5-6pm.


Monday, 15 February 2021

Even the wrong shoes won't spoil my fun!


Does anyone else miss being jammed in a hot, dark, smoke-filled room, warm drink in hand waiting for the next act to start?

Most people in these Covid days shudder in horror at the idea of sharing indoor space with a group of strangers, and you can understand why.

But I have to admit I miss the days of being in a live audience, the excitement of waiting to see and hear a new show. Will the gags be good, will the band hit the right notes? How will the audience react - will they heckle or get behind the performer?  I even miss the discomfort of standing still for ages in the wrong shoes.

I know there isn't real smoke anymore.  But the idea of heading to a club, cafe, bar or theatre to see 'live' entertainment always makes me feel that I'm off to somewhere sophisticated and slightly edgy. Like the old days of black and white films; say Rick's bar in Casablanca or a jazz club in Harlem.

So I was really pleased to hear that a large number of Fringe venues in Buxton have announced their support for this year’s festival. Old favourites such as the Green Man Gallery,  Underground and the Rotunda are all wanting to be involved and a host of new cafes, church halls and sports facilities have also registered.

Of course there will be lots of safeguards in place. Fringe performers are working on contingency plans - marquees and tents are being mooted (a good idea for any British summer!) as well as online or mixed activities.

As entries start to arrive there are whispers of large open air venues also being interested which all adds to my excitement.

I only have one concern, where did I put my favourite heels?

Carole Garner

Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe

Wednesday, 18 November 2020

The Fringe isn't just for Summer!


Screenshot from 2020 Zoom AGM featuring Top row left to right: Gaye Chorlton, Stephen Walker and Sandra Jowett, Bottom row: Viv Marriott and illustration of Entries co-ordinator Ian Bowns.


Buxton Fringe have announced the dates for next year's Fringe; the 7th to 25th July. "So what?", I hear you say ,"That's eight months away." 


Last week was the Fringe AGM and planning has already started for next year's event; there are an amazing amount of things to do and organise before July.


Like every meeting I've ever attended it was the most unassuming item on the committee  agenda that stimulated the hottest debate. Last year's artwork for the programme was much loved but never got to be fully appreciated as although it was used on flyers, we weren't able to print the programme. So we wanted to reuse the design for 2021 but with new colours to make it a bit different.


Crucial question, which colours should we use for 2021's programme and flyers?


Of the 10 shortlisted contenders, each one had a champion and each one a detractor. Some of the colour combinations were described as "too pale", others "too bright" or most dangerous of all "Marmite".  The debate raged on, clearly there was not going to be unanimous agreement - time to put it to the vote.


Want to know which colour scheme won? Check out the website when entries open on 1st December.


Last summer I wrote about being a new volunteer and not having found "my niche" with the team. I now feel like an old  hand and I've been ringing community groups, schools and care homes who without exception have been positive about being involved in 2020. I've also joined the committee as an honorary member and been signed up to help with communications. Luckily I dodged the role of treasurer which looks like a hot potato (just as well my grasp of Excel is basic to say the least).


As we all know, 2020 was a year like no other with theatres, arts venues and cinemas all forced to close. In response the Fringe moved on line.  At the meeting Chair Stephen Walker thanked the 100 plus performers who responded to this challenge with creative and innovative works. 


At this point in time we don't know what life will be like next July, the arts and entertainment sector are continuing to face difficult times with venues still closed.


We are all hoping for live events but the committee are making plans for a mix of live and online shows. One positive thing to come out of 2020 was our ability to reach new and more diverse audiences and performers, and that's a good platform to build on.


So the Fringe isn't just for summer, it's year round! If you'd like to get involved our next (Zoom) meeting is on 10th December.


Carole Garner

Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe

Sunday, 19 July 2020

End of the Fringe - The Chair’s Review

The Chair ... in orange.


Buxton Fringe 2020 has come to an end and I think we can safely say that it was a Fringe like no other. Coronavirus has taken a heavy toll on us. We have had hardly any performances taking place “in real life”, there have been no venues open, no Fringe Desk and no programme. We haven’t been able to go out to shows, catch up with old friends and meet new ones, no chatting outside venues about what we have seen and what we're looking forward to seeing.

But we have still had a Fringe. We decided to go ahead at the usual time and see what we could salvage, feeling that by July audiences would be looking forward to something different from what was on TV. We also knew that creative people don’t stop creating just because of a lockdown, and that having an outlet for their work and something to work towards was important.

We feel that our decision to go ahead has been more than vindicated by the rush of entries that came in to the Fringe in June. We couldn’t believe that we hit 100 entries just before we opened!

We’re not doing the awards in our usual way this year, but I will announce a few picks of the Fringe later in this blog, no prizes (and no free entry next year, sorry), just kudos! But we are so grateful for everyone that contributed work this year, the online nature of the Fringe has enabled me to get to over 90% of the entries this year and it has been a joy to see the range and quality of work on offer.

We’ve had recordings and reworkings of old favourites - three former winners of our award for New Writing appeared in radio play form, last year’s Once Upon a Time in Trieste, The Gambit from 2013 and 2002’s Sounds like the NHS. New audiences have been introduced to such joys as Burbage Band’s Happy. 

We have seen people we perhaps wouldn’t otherwise have been introduced to, such as Stew Walker and The Book of Snorin’. There have been retrospectives and reminiscences about the Fringe from old friends like Darren Poyzer, Will Hawthorne and Sudden Impulse.

There has been innovative work like Despite the Monkey’s audio play, It Flows, which is to be experienced while walking around Buxton, and two events curated by Mark Reid, It’s About Time, a live event encouraging reflection and interaction about time, and a special Buxton edition of Summit featuring the avant garde and experimental.

The local community has been so supportive, there have been lots of local contributions, from writing groups, choirs, and community groups, many of which have made use of the local landscape, such as the wonderful Peak Voices. And the Visual Arts scene, which is predominantly local, has been as vibrant as ever with online exhibitions, and lovely innovations like the Sketchbook Trail. And who can forget Floella Flap-a-lot, bringing colour and joy as she perched outside Hawkshead on Spring Gardens as lockdown eased.

The success of this year’s Fringe can be partly seen in the attention we have received from respected voices on the Fringe scene, and I can’t pay better tribute to all our entrants that in the words of Fringe Guru, Richard Stamp, on Twitter, “I've been inspired and maybe a little humbled by how so many people have put so much effort into specials for @buxtonfringe - not because it's a stepping stone to anything else and certainly not because it pays anything, but just, well, because. 5* to all of you.”

To everyone who has brought their art, shows or workshops to the Fringe, we are so grateful. We would be nothing without you.

As I have said, there will not be any of our traditional awards this year, but we wanted to recognise excellence in original work that has been completed during Lockdown to be aired at Buxton Fringe.

So, in absolutely no order, our picks of the Fringe 2020 are:

  • Debbie Cannon - Three Voices - “Three women, nothing in common apart from the fact, that is, that they are all in Lockdown … Debbie Cannon is a very talented writer and actor … very special, new and relevant work”
  • Nathan Cassidy - Roses from Joe - Nathan was determined to put on a live show. And he did - properly socially distanced. He made the Fringe for me. “Nathan Cassidy has always had something of the magician about him. You can think you are listening to observational comedy only to realise by the end of his show that it has become - and indeed always was - something else entirely.”
  • Ray Castleton - An Ordinary Woman - “An ordinary woman, just an ordinary woman, her son Edward tells us on the day of his mum’s funeral. But nobody is ordinary. Everybody must count.”
  • Bloom - The Landscape Jukebox - “an intriguing, mindful piece of work, created with imagination and artistry, and well worth watching. Each piece is short, so the viewer is left with a collage of thoughts and images that force us to think about the landscape around us, and our place within it.”
  • Orange and Pip Theatre - Through the Screen - “the intensity of friendships at university, the obliviousness of love in your twenties, and the power that people can hold over others when there is a secret and a friendship at stake.”
  • Ian Bowns (with Carol Bowns and Sarah Owens) - A Song a Day - “Folk performers Ian and Carol Bowns and Sarah Owens have a novel idea ... Instead of a full concert they are posting a song every day of the Fringe ... dip in when you have just a few minutes but also really immerse yourself fully in the song,”
  • Adrian Lord - Journey to Sky Blue - “His music is just sublime; I lay back and floated on Adrian's piano picks”
  • Buxton Drama League - The Shakespeare Jukebox - “Utterly wonderful! The company of The Shakespeare Jukebox are regular street theatre performers at Buxton Fringe and this year have produced a series of short videos of their pieces. The online format works really well - it feels like Shakespeare’s characters have taken to social media and are producing their own TikTok videos.”
  • Three's Company’s Adventure Department - “Great acting and hilarious story telling will keep you chortling throughout, as will the half time ad break. Promising a different genre with each daily episode, this entertaining podcast is a perfect listen”
  • Egriega - Xuxu's Revolt - “Settle back and lose yourself in this beautiful, immersive experience, each Portuguese poster, mural or filmed bar scene hinting at stories within stories. A glass of chilled white Port can only help. As Xuxu says: 'You can do the bossa nova even if you’re falling over…'”
  • Two Left Hands - Alternative Well Dressing - “What a great idea! Superbly delivered, the project keeps alive a special tradition, proving that volunteers like Gill, and so many others who love this town, are the true beating heart of the community.”
  • Gordon MacLellan - TINY! Treasure Hunters, Lost Castles and Make your own Museum - Gordon has been both stalwart and star this year, making sure the TINY! adventures still went on in Pavilion Gardens, his craft videos, plus some great poetry in Buxton Spoken Words! “a storyteller, artist and all round good guy, proves the perfect guide … I think making these castles would cover art, English (storytelling), drama and just plain old fun on the home schooling front. Get the whole family involved and act out your stories”
  • The Fringe of the Fringe - “all the shows that aren’t here, the very best of what is not happening, and more importantly, reviews thereof … clearly knows what’s he’s on about; the reviews are knowing and the caricatures and comments reveal inside knowledge and a fine sense of satire. We’ll have to keep an eye on this chap.”

We are making one award this year. It is the John Beecher Memorial Award for original, challenging work with high production values. This is a cash prize and doesn’t entitle the performer to free entry the following year. This year it goes to The Affinity Initiative from But Why? Theatre. Our review said “be prepared to commit to the performance to get the most out of it. I decided to go for it, and at times was genuinely thrilled by what was happening … Featuring one-to-one immersive performance and real-time interaction, But Why? has brought something very intriguing and thought-provoking”

Of course, there wouldn’t be any point in putting on a Fringe if no-one came to see it, and it has been heartening to see the engagement of audiences with online shows. It has been hard to get feedback about the Fringe this year, as we haven’t been out mingling and hearing what you all think! But I think the sense is that alongside reaching new people, we have been greatly supported by our usual Fringe audiences.

We thank you all for joining in the fun, and we’re grateful for everyone that has donated to our artists and to the charities they have been supporting. If you can, and you haven’t yet had the chance, please seek out the performances you enjoyed and see if you can support the performer with a donation. No one gets rich doing this, and it is a very tough time for performers everywhere at the minute.

Our budget has been tiny this year so we thank High Peak Borough Council for their support. With no entry fees it has been our Fringe Friends that have provided the bulk of our income, you have really kept the show on the road and we are so grateful for your faith in us.

It is my first year as Chair and it hasn’t been an easy introduction! I have discussed at length elsewhere how much work the committee has put in this year to hang on to the hope of putting on a Fringe, and then the immense effort that it required to revisit every entry and venue, and to start to rebuild the programme. I can’t pick out individuals, but believe me when I say, I recognise and appreciate everything that each of you has done to make the Fringe a success this year.

We also managed to review every show. A great achievement in a year when there were no free tickets to shows to entice reviewers! We are very grateful to all those who gave their time and energy to do this for us.

As mentioned above, we had one live show this year from Nathan Cassidy, and I’d like to finish with a quote from him about us. This is exactly what we try to achieve: 

“The @buxtonfringe is incredibly special - wonderful creativity, innovative and supportive. And that’s proved whole-heartedly by going ahead when many would have cancelled. Creatives can only create with the right support and that’s what this Fringe gives us. A very special place.”

Thank you everyone.

Stephen Walker
Chair

Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe


Friday, 17 July 2020

The Shakespeare Jukebox – Un-juked!


The Shakespeare Jukebox are probably the most visible act in the Buxton Fringe, year after year come rain or shine they are outside the Opera House or on the Pavilion Gardens Promenade performing extracts of Shakespeare selected by an admiring audience. Here, Maria and Jayne from the Jukebox reflect on how different it has been this year.

Friday night at Buxton Fringe. Usually finds us in the ladies at the Club House, getting changed into long skirts and corsets. We always have a moment when we look at each other and say “Remind me, why are we doing this again?” And then we gird our loins, head out and join the Shakespeare Jukebox men, ready for our first piece, which has a rousing chorus of “Double, double toil and trouble...” Go on, join in; you know how it goes. 
Jayne Marling

It’s been different this year. We’ve missed getting together; working out the playlist, discussing new ideas. None of our usual rehearsals, which are always fun, good exercise and of course sometimes frustrating when the lines and moves for a new piece don’t come readily to hand. Seriously, I don’t think we ever got our scene from the Tempest right before the first live performance!

This year it’s been lots of emails, a couple of video calls and even one socially distanced meeting between the two of us in the back garden. Jayne rounded up and re-distributed our props, Maria contacted previous members of the Jukebox; Alex and Malcolm, who said ‘Yes’ far quicker and easily than we expected. It’s been wonderful having them back in the team. We needed an editor, and the wonderful Caroline stepped in. She’s been coming to the Fringe for many years and watches most of our performances. She’s filmed us live. So, we knew she ‘gets’ what we’re trying to do. She was up for it. So much so, that as she couldn’t come to Buxton for her usual holiday in July, she took time off before the Fringe to edit the videos! 
Maria Carnegie

The ‘day job’ has remained busy for some of the Jukebox team so we’ve had to make time to learn new lines and film ourselves. We’re clearly not film directors - as our editor will testify! We’ve headed to the hills, woods and gardens for our filming – and some of us still got rained on (well, it wouldn’t be the Jukebox if we didn’t get wet at least once!) We have guest appearances from Elyse, Caroline, chickens and Amy the dog. We’ve tried to deliver pieces differently, but still capture the Jukebox essence. And we had fun – just wait until you see the fairies; the sheer joy leaps off the screen. It’s been good for all of us to have a creative project to do.

We’ve all missed the audience engagement – reacting to and involving our audience is one of the joys of performing. And it’s strangely odd not having any applause at the end of a piece. Are people watching? Did they enjoy it? We really hope so. One of the biggest losses is not seeing the familiar faces who come back year after year to watch us (yes, really, people do!) and have a chat. We know some of them have found us online, which is just lovely. We have also really missed the sheer joy and mayhem of Tag Rude Mechanicals; audience participation at its best!!!

So why do we do it? Well, it’s a great group of people to work with, it’s fun (even when it rains), it’s energising. People enjoy it. And we do it to raise money for the Buxton Samaritans. As with many charities opportunities to raise funds have been reduced these last four months. And the need for their services has increased. We’re really proud to do our little bit, so if you would like to donate please click here, and thank you for your support.

Keep watching – join in with the bits you know. Share and like the videos. And come back and see us live next year!

Maria Carnegie & Jayne Marling


Buxton Fringe

Website: www.buxtonfringe.org.uk
Facebook: buxtonfringe
Twitter: @buxtonfringe
Instagram: @buxtonfringe